Friday, October 12, 2012

Saturday, October 6, 2012

Proun: "the station where one changes from painting to architecture."

Neuer (New Man). 1923. El Lissitzky.

Russian Suprematism and its offshoots, Proun in this case, continue to fascinate me.

From the MoMA website: 

At the behest of Marc Chagall, Lissitzky accepted the directorship of the graphic workshop at the Vitebsk Art Institute in 1919. Following Kazimir Malevich's arrival at the school, Lissitzky became greatly influenced by Suprematism and began to work in an abstract style. He invented imagery known as Proun (Project for the Affirmation of the New), which consisted of images of floating architectonic structures that occupied an imagined three-dimensional space through which one might move above, below, and through. The Proun style can be seen in New Man, the name of a character in the groundbreaking 1913 Russian Futurist opera Victory over the Sun. After seeing a 1920 production staged in Vitebsk, Lissitzky adapted the opera for a cast of mechanical puppets. His designs incorporate the geometry and limited color palette of Suprematism and the multidimensionality of the Proun images.


Under Suprematism I understand the primacy of pure feeling in creative art. To the Suprematist, the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from the environment in which it is called forth. - Kazimir Malevich

Suprematist Composition: White on White. 1918. Kazimir Malevich.


Angélica Font, calle Colima, colonia Condesa, México DF, abril de 1979.

"Me gustaría estar contigo, le dije antes de despedirme. A mí también, dijo su voz de pájaro de otra dimensión. Pocos días después su madre me llamó y me dijo que se había muerto."

Roberto Bolaño, Los detectives salvajes. 
(Nueva York: Vintage Español, 1998) 283.

Friday, October 5, 2012

"Ceci n'est pas une pipe"

Mi primer nombre es Arturo. Mi segundo nombre es Ulises. Ya no llevo apellidos. 
Hay días que me llamo Ulises Arturo. Antes me preocupaba; ahora me da igual. 

El año pasado me preguntaron si era griego. Dos años atrás me preguntaron si era indio. Tres años atrás me preguntaron si era brasileño.

Este año no me han preguntado.